ONE MAJESTY

The protect covers an area of 94,300 square meters, with a building area of 226,300 square meters and only 855 seats. The project is located in the heart of the city of Sioux City, creating a benchmark for human settlements. The surrounding facilities are very complete, with commercial and cultural support: high-end self-sustaining commercial Da Yue Chun Feng, Yuan Rong Business Circle, Fanhua Central Business Circle, Tianhong Business Circle, and the city center. Park, Second Workers Cultural Palace, Suzhou Second Library, etc.; educational facilities such as Nanjing Normal University Suzhou Experimental School, Suzhou Foreign Language School, etc., medical facilities such as Suzhou Maternal and Child Health Hospital, etc., Suzhou University Affiliated Hospital Pingjiang Campus, transportation : Railroad Line 4 Longdaoyu Station, Central North Line, Suzhou Station, P+R interchange hub constitutes a “six-dimensional integrated” transportation system.

The difference between the gardens in the south of the Yangtze River and the royal gardens in the north emphasizes the spatial relationship between the starting, the bearing, the turning, the closing, and the moving landscape. The whole park is centered on water, surrounded by mountains and rivers, beautiful pavilions, lush flowers and trees, and has a strong Jiangnan water features. The garden is divided into three parts: east, middle and west. The east garden is wide and the garden is the essence of the whole garden. The west garden is beautifully constructed and has its own characteristics. The south of the park is a residential area, reflecting the pattern of traditional residential buildings in the southern part of the Yangtze River. The Net Master Garden is a private garden with a typical home garden. The residential part has a total of four entrances, from the car hall, the large living room, the Xiuxiu Building, and the Wufeng Book House, which are sequentially unfolded along the central axis. The main hall “Wanjutang” is open and elegant.

How to continue and recreate the products that belong to the present and lead the future? Breaking the form of obsessiveness with China. Lost and looking for compensation - the "retro" and "returning to the ancient" caused by the loss, forming the current trend in the way we used to be. The "revival" of traditional culture is actually the concentration of self-confidence. break out. We envision ——if culture has no faults, what kind of form should Chinese aesthetics be presented to continue to this day? Based on the assumptions - we "re-taste" Gusu with a "continuation-advance" attitude, using modern forms as the basis, deconstructing and reorganizing to create a "gu Su" belonging to contemporary Chinese.

The ingenious and soft project of Chinese elements and modern styling materials is designed with the concept of “mountain shape and vivid water”. The gentle landscape curve is used to match the grille to achieve the effect of mountain and water flow. It is closely connected with the buildings in the venue, so that the audience can obtain profound visual impressions and psychological imagery. The Chinese elements and modern styling materials are ingenious and soft, such as the rolling sand dunes of the desert, and the gentle sandy beaches of the seaside, elegant and warm, coordinated without losing. Luxury; close to nature, simple and elegant. Create a rural and rural life.