YUN YAO YU BI

The demonstration area of Longfor's number one work "Yun Yao Yu Bi" in 2020 finally unveiled its mysterious veil. The project covers an area of about 350 acres, with an average floor area ratio of only 1.5. It aims to build a blueprint for a "centralized urban life circle" and open the true low-density era of Central Park.

The project is located near the city's central park. In order to create a leading and unique urban architectural symbol, a mountain is used to cut off the hustle and bustle of the city, and a bridge is used to lead people to meet a paradise. With the central park to reconcile the colors of Chongqing's four seasons, the low-key silhouette of the building is hidden in the four seasons of Chenguang. The scattered buildings and the greenness that grows around are not only its own excellent temperament, but also the purity and exquisiteness of Chongqing's life, but also the urban elite's imagination of natural life.

Rubik's cube is a geometry that can be disrupted and restored by turning. There are many mountains and rivers in Chongqing. The project adapts to the geomorphological characteristics of Chongqing according to local conditions. The process of disrupting and restoring the Rubik's cube is fixed in the architectural design, forming a vertical and horizontal development of the main space, which leads to a high error between the building block and the block Falling levels of space. In the daytime, the building is under the sunlight, showing the beautiful posture of Zhong Lingyuxiu and Fengshen. At night, the lights emitted from the interior of the building are another beautiful look like crown jade and allure. Different light sources create different "Yun Yao Yu Bi" demonstration areas, which is a gift from light, such as the unpredictable light and shadow of thousands of worlds.

The art installation at the entrance of the main entrance of the project, the piled green hills and the randomly growing woods, such as a green barrier, subtly convey the stratification of the space. The Rubik's Cube sculpture wrapped in greenery is like a soft white light that guides visitors. In contrast, the spiritual fortress is inspired by the artistic conception of the paradise that the architectural landscape strives to create. The large area of blank space gives people an imaginary space, and the simple cut surface of the body is also the epitome of the stacking of the cut surfaces of the building. The lines on the spiritual fortress extend from bottom to top, from front to back, and are the collision of the line and the surface, and the dialogue between the virtual and the real. This kind of contrast between reality and reality is not only reflected in the shape, but also in the conventional relationship between the project name and the installation of the spiritual fortress. The spiritual fortress and the horizontal structure on the hillside at the entrance complement each other. Although it is not as light and eye-catching as the structure, it still stands like a guardian. The 15m spiritual fortress uses a stainless steel fluorocarbon baking process, which requires extremely high surface smoothness. The extreme collision of white and black not only enhances the functionality of the spiritual fortress, but also sets off the temperament of the project: pure and ethereal.

Upon entering the door, the light and shadow on the road, the carefully carved terrain on both sides perfectly highlight the sense of ritual at the entrance. The winding road guides the way forward. Unconsciously strolling in the forest, watching the fragrant grasses and the colorful scenery, and experiencing the integration of man and nature in the prosperous city life. According to the overall environment of the project, the logo design makes maximum concessions for the presentation of the architectural landscape. The combination of the logo and the façade guides visitors ingeniously. We have also tried a lot on the choice of fonts for outdoor and indoor logos. What kind of font can express the tone of the museum and convey a unique feeling of art?

The font selection of the space guide should strive to be read from a long distance and is easy to recognize. In addition to this, it also fits the elegant architectural temperament and transparent spatial beauty of this project. Our carefully selected fonts are simple in shape and long in stroke, and simple and elegant in style. This is exactly the artistic expression we want. Black titanium that can match the logo font is used in the material, and the stainless steel characters with stable quality express this purity and exquisiteness, which is cleverly integrated with the project's own excellent temperament.

The combination of light and shadow presents a penetrating spatial language, conveys the stratification of space with the staggering of logos, merges with the distinctive architectural environment, coexists between the city and nature, and presents to the world in a light posture. One side maps the city and the other side reflects nature, so as to awaken the memory of nature and go to a nature appointment together.

项目名称：重庆龙湖·云瑶玉陛示范区

建筑设计：成执建筑

景观设计：承迹景观

标识设计：柏熙标识

艺术品设计：基本源素

艺术装置门头结构设计：森柏建筑

廊桥结构设计：中煤科工重庆院

园林工程：蜀汉生态环境

廊桥工程：泾卓金属制品

艺术装置门头制作：雅迪景观雕塑

玻璃雕塑制作：风之语公共艺术

软装制作：盒子时尚空间

标识制作：西里标识

玉簪花园工程：尚野园艺

拍摄摄影：云岫摄影